I put together this portable, primitive forge for the purpose of doing demonstrations at the various events we go to. An actual forge of this type would not be carried around but would be in a permanent spot. For portable purposes, one can simply dig a hole in the ground, place your bellows beside the hole and fire it up. That simple. But there is were we depart from the reality of Viking age blacksmithing. Each of our events are in locations that require us to come in, set up and present, then have a quick tear-down, often within an hour of closing time.
With this in mind, I wanted to build a forge that would look like what you might find in those ancient times but has both durability and ease of setup. The forge body is made up of a mortise and tenon box with high temperature refractory cement cast to be the forge table and pan. I could have just used a sack of sand and poured the sand into a carrying container but there is a hidden element built into this forge.
Because many of our events are within city or state parks the concern of management's is that I don't destroy their Kentucky Bluegrass. Difficult not to do if the forge runs long enough to do any basic operation. I'm lucky to live in a city with allot of hi-tech industry and development going on and through my connections I was able to procure a small sample of actual space shuttle tile. That and high temperature furnace wool insulation protect the bottom surface completely for the forge's heat. These precautions permit the grass to go undamaged. So the cement is there to protect the insulation beneath. I'd never forged with charcoal and found the fire to raise it's heat quickly and the metal moved very well. I expect the fire table will gain a better patina, look less like cement, as I use the forge.
Seen on the vertical hearthstone is a picture of Loki, who, among his many talents, is the guardian of the fire but he is shown here with his lips sewn shut, a result of his failed bet with a dwarf who assisted his blacksmith bother to make Thor's magic hammer, Mjollinr. Loki tried to ruin the project by turning himself into a horsefly to bother the apprentice Brokk who was pumping the bellows. Though Loki avoided loosing his head in failing his bet, the dwarf still punished Loki for his idle boasts. You will find the story in Snorri Sturluson's Prose Edda, the Skaldskaparmal
On the left is a picture of the original hearthstone called the Snaptun stone, recovered in Denmark and on display at the Moesgard Museum.
Click on the thumbnails below for a larger picture of the construction details.
Here you see my double bellows. You will notice that they have two different types of wood composing the bellow's tops. This is so the apprentice can tell the difference between his left and right... (I need smarter apprentices.) No, I made these bellows from scrap wood leftover in my shop. One is oak and the other white ash. In typical fashion of workers of the time, if the type of wood needed was irrelevant, you used what you had.
The bellows have two valves built internally for each side, fore and aft, so the air only moves forward, preventing the fire from being sucked back into the bellows on the upward pull. They terminate into a natural crotch of a branch, drilled to join the air flow into the final tapered tube that goes into the forge body.
For the sake of ease of setup and to protect the bellow from damage during transport, the rough branch you see under the pair is screwed permanently in place. I have too many "helpers" who handle the equipment roughly that without the cross bar, they would never last. I stake the crossbar to the ground while the forge is in use, which makes the operation easier for my apprentices. Especially if a horsefly attempts to bother them.
These bellows are modeled to reflect the bellows illustrated on the door posts in Hylestad Church in Setesdal, Norway. (Left.) Here the wood-carving depicts Regin reforging the sword for Sigurd. The doors were carved in the 12th century. Then you also find the bellows on an earlier rock petroglyphs carved about 1000 CE, called the Ramsund carving. (Right.) The rock and the door depicts the story of Sigud who has killed the dragon Fafnir and later the blacksmith Regin. Regin's tools are scattered around, including tongs, a hammer, an anvil in the shape of a "bick" or "beak" and lastly you can see his double bellows.
For now I have a small chunk of steel mounted into a tree section as my anvil. I plan to shape it better to approximate the anvils of the time. Also pictured here is a willow basket with hardwood charcoal fuel. I'll be forging more tools soon. Time will tell.